EVENTS IN 2005
2005 - THE YEAR OF THE FIVE IN ARTPOOL
For the so-called experimentalist photographer (the functionary) it is effectively assertive that these base concepts: "picture", "apparatus", "program", "information"- are the root problems, that he has to struggle with. We do need the Philosophy of Photography in order to bring the photographic practice into the surface of the consciousness, which is important because a model of freedom-if any- appears in this very practice, in a postindustrial context.
1 March, 2005 - 6 p.m. - Artpool P60
Pioneer Artist Prince January TovA ICY HORO OLH
11 - 13 March, 2005 - Foksal Gallery Foundation, Warsaw
Archives Workgroup 1st meeting
21 March - 1 April, 2005 - Artpool P60 - Wednesdays and Fridays 4-6 pm
Artpool's tenth participation in the program of the
a Budapest Spring Festival unimaginable in 1981
an exhibition-event from the documents of the institute-experiments of the "underground art" [invitation]
Zsuzsa Simon Office, Újpest Mini Gallery, Artpool, Indigo, Inconnu, Fényképészeti lapok [Photographic sheets], Snob International, etc.
27-28 April, 2005 - House of Europe, Pécs
Art Institutes and Institutions in Europe and Hungary
organized by the House of Europe and Approach Art Assotiation
May - 10 June, 2005 - Artpool
P60 - Wednesdays and Fridays 4-6 p.m.
opening speeches from 6 p.m. on 27 May by :
17 June, 2005 at 6 p.m. - Artpool P60
/ SHADOW WEAVERS
22 September, 2005 at 6 p.m. - Artpool P60
a gentle presentation
of the information boom:
18 November 2005 - 24 February 2006 - Artpool
28 December 2005, 6 p.m., Camille's day - Artpool P60
Host of the evening:
The main question to be discussed:
is the life-work and the spirit of Miklós Erdély still relevant?
if yes, why?
action of remembering becomes possible by the Spiral structure of "private"
time. In the mind the distance of temporal points is not determined
lineally, but they are copied on each other and on the totality
of future time by the memory. And everything what will happen in
the future appears like new layers on the "happened".
in time, the image of an event becomes less and less clear and
strong what makes possible to register always new images without
the disturbing effect of their equal value." [invitation]
of the documentary
web site of Miklós Erdély's Life-work Exhibition (Műcsarnok,