2004 | 2005 | 2006 | 2007 | 2008

2009 | 2010 | 2011 | 2012 | 2013

2014 | 2015 | 2016

Újabb könyvek, katalógusok az Artpool könyvtárában
New books and catalogs available at the Artpool Library
(August 2004)

3 Acres on the Lake: DuSable Park Proposal Project, White Walls, Chicago, 2003, 128 p., ill., színes

Adams, Hugh - Brancher, Toril - Gower, Jon: Picturing Cardiff. Visual Art in the City, Visual Arts Forum, Cardiff, 2002, 60 p., ill., színes

Adler, Ingrid Dr. (ed.): Konkret Östliches Mitteleuropa, Verlag für moderne Kunst, Nürnberg, 2000, 158 p., ill., ff és színes

Alastair MacLennan Knot Naught, Omeau Bath Gallery, Belfast, 2003, 216 p., ill., színes

Alberro, Alexander - Patricia Norvell (eds.): Recording Conceptual Art. Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner by Patricia Norvell, University of California Press, Berkeley - Los Angeles - London, 2001, 162 p., ill., ff

Anamorphosis. Stewart Home, searchlight and the plot to destroy civilisation, Sabotage Editions, London, 2000, 48 p.

Andreotti, Libero - Xavier Costa (eds.): Situationists - Art, Politics, Urbanism, Museo d´Art Contemporiani de Barcelona, 1996, 139 p.

Biesenbach, Klaus - Anthony Huberman - Amy Smith (eds.): Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, P.S.1 Contemporary Art Center, Long Island City, 2002 , 311 p., ill., színes és ff

Bodnár Judit: Fin de Millénaire Budapest, Globalization and Community, Vol.8. (series editor: Dennis R. Judd), University of Minnesota Press, Minneapolis - London, 2001, 223 p., ff

Borcic, Barbara (ed.): Videodokument. Video Art in Slovenia 1969-1998. Essays, Open Society Institute - Soros Center for Contemporary Arts, Ljubljana, 1999, 228 p., ill., ff

Borcic, Barbara (ed.): Videodokument. Video Art in Slovenia 1969-1998. Documentation, Open Society Institute - Soros Center for Contemporary Arts, Ljubljana, 1999, 228 p., ill., színes és ff

Boutoux, Thomas (ed.): Hans Ulrich Obrist: Interviews, Edizioni Charta, Milan, 2003, Volume 1., 967 p., ff.

Briski, Mika (ed.): Arteast 2000+. Umetnost Vzhodne Evrope v dialogu z Zahodom - Od 1960. let do danes Razstava del za nastajajoco zbirko / Arteast 2000+. The Art of Eastern Europe in Dialogue with the West - From the 1960s to the Present. Exhibition of Works for an Emerging Collection, Moderna galerija Ljubljana, Ljubljana, 2000, 200 p., ill., színes és ff

Buchloh, Benjamin H. D. (ed.): Neo - Avantgarde and Culture Industry. Essays on European and American Art from 1955 to 1975, October Books, The MIT Press, London, 2000, 592 p., ill., ff

Carcano, Emanuele (ed.): OU - Cinquième Saison. Complete Recordings, Alga Marghen, 2002,

Carotti, Elena - Felicity Barbara Lutz (eds.): Marina Abramovic. Artist Body. Performances 1969-1998, Edizioni Charta, Milano, 1998, 475 p., ill., színes és ff

Chromik, Gunda - Andrea Lühmann (eds.): Jochen Gerz. Die Bremer Befragung. The Bremer Questionnaire. Sine Somno Nihil, 1990-1995, Cantz Verlag, Ostfildern/Ruit, 1995, 144 p., ill., színes

Comay, Rebecca - Ian Balfour (eds): Lost in the Archives, Alphabet City No. 8., Alphabet City Media Inc., Toronto, 2002, 772 p., ill., színes és ff

Critical Art Ensemble: Digital Resistance, Autonomedia, New York,USA, n.a., 152 p., ill, ff

Dahms, Otto C. - Tania Müller (eds.): Art à la carte. Internationale Künstlerpostkarten seit den 60er Jahren, Neues Museum Weserburg, Bremen, 2004, 111 p., ill., színes

Deecke, Thomas - Christian Köhler (eds.): Originale echt falsch. Nachahmung, Kopie, Zitat, Aneignung, Fälschung in der Gegenwartskunst, Neues Museum Weserburg, Bremen, 1999, 175 p., ill., színes

Diez, Marion - René Rohan (eds.): Lanterna Magika. Nouvelles technologies dans l´art tchèque du XXe siècle. / Lanterna Magika. New Technologies in Czech Art of the 20th Century, KANT 2002, Praha, 2002, 260 p., ill., színes és ff

Duchamp, Marcel: Duchamp du signe, Paris, Flammarion, 1994 (1958, 1975), 315 p., ff

F. Seine, Harriet - Sally Webster (eds.): Critical Issues in Public Art. Content, Context, and Controversy, Smithsonian Institution Press, Washington-London, 1998 (1992), 315 p., ill., ff

Fassbinder, Horant (ed.): Through the ´Net. Studies in Jochen Gerz´ »Anthology of Art«, Salon Verlag, Köln, 2003, 152 p., ill., ff

Feuillie, Nicolas (ed.): Fluxus dixit. Une anthologie vol.1. , L´écart absolu, Les presses du réel, Dijon, 2002, 283 p., ill., ff

Finkelpearl, Tom: Dialogues in Public Art, The MIT Press, Cambridge (Mass.) – London (England), 2001, 453 p., ill, ff

Fischer, Barbara (ed.): General Idea Editions 1967 - 1995, Blackwood Gallery, University of Toronto, Mississauga, 2003, 310 p., ill., színes és ff

Fluxus und Freunde. Sammlung Maria und Walter Schnepel / Fluxus and Friends. The Maria und Walter Schnepel Collection, Neues Museum Weserburg, Bremen, 2002, 224 p., ill., színes

Foster, Hal: The Return of the Real. The Avant-garde at the End of the Century, The MIT Press, Cambridge, Massachusetts - London, England, 1996, 299 p., ill., ff

Friese, Peter (ed.): Jochen Gerz. Life After Humanism, Neues Museum Weserburg, Bremen, 1992, 187 p., ill., színes

Gagnon, Monika Kin - Richard Fung (eds.): 13 Conversations About Art and Cultural Race Politics, Prendre Parole, Artextes Editions, Montréal, 2002, 151 p.

Glasmeier, Michael (ed.): Die Bücher der Künstler. Publikationen und Editionen seit den sechziger Jahren in Deutschland, Institut für Auslandsbeziehungen, 1994, 271 p., ill., színes

Goldberg, Roselee: Performance Art. From Futurism to the Present, World of Art, Thames and Hudson, London, 2001, 232 p., ill., ff

Gray, John: Action Art. A Bibliography of Artists’ Performance from Futurism to Fluxus and Beyond, Greenwood Press, Westport, Connecticut - London, 1993, 343 p.

Harding, Anna (ed.): Potential: Ongoing Archive, Artimo, Amsterdam, 2002, 144 p., ill., színes és ff

Harrison, Charles: Conceptual Art and Painting. Further Essays on Art & Language, The MIT Press, Cambridge, Massachusetts - London, England, 2001, 234 p., ill., ff

Havránek, Vit (ed.): Akce slovo pohyb prostor. Experimenty v umeni sedesátych let. Galerie hlavního mesta Prahy. / Action World Movement Space. Experimental Art of the Sixties. City Gallery Prague, Galerie Hlavního Mesta Prahy, Praha, 1999, 508 p., ill., színes és ff

Hendricks, Geoffrey (ed.): Critical Mass. Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972, Rurgers University Press, New Brunswick, NJ, 2003, 211 p., ill., színes és ff

Hendricks, Jon (ed.): O que é Fluxus? O que não é! O porquê. What´s Fluxus? What´s Not! Why, Centro Cultural Banco do Brasil, Brasília, Rio de Janiero - The Gilbert and Lila Silverman Fluxus Collection Foundation, Detroit, Michigan, 2002, 271 p., ill., színes és ff

Higgins, Hannah: Fluxus Experience, University of California Press, Berkeley - Los Angeles - London, 2002, 259 p., ill., ff

Home, Stewart & “Friends”: Out-takes, Sabotage Editions, London, 1998, 68 p.

Home, Stewart: The Assault On Culture. Utopian Currents From Lettrisme To Class War, AK Press, Stirling, 1991, 113 p., ff

Hoptman, Laura - Tomás Pospiszyl (eds.): Primary Documents. A Sourcebook for Eastern and Central European Art since the 1950s, First MIT Press edition, The Museum of Modern Art, New York - The MIT Press, Cambridge, Massachusetts, London, 2002, 375 p., ill., ff

Jones, Amelia - Andrew Stephenson (eds.): Performing the Body / Performing the Text, Routledge, London - New York, 1999, 306 p., ill., ff

Justesen, Kirsten: Meltingtime #11, Kunstmuseet Brundlund Slot, AAbenraa, DK - Kastrupgårdsamlingen, Kastrup, DK, 2003, 203 p., ill., ff

Kahn, Douglas: Noise, Water, Meat. A History of Sound in the Arts, The MIT Press, Cambridge, Massachusetts - London, England, 2001, 455 p., ill., ff

Kastner, Jeffrey (ed.): Land and Environmental Art, Themes and Movements, Phaidon Press, New York, 1998, 304 p., ill., színes

Kaye, Nick: Site-Specific Art. Performance, Place and Documentation, Routledge, London - New York, 2004 (2000), 99 p., ill., ff

Lacy, Suzanne (ed.): Mapping The Terrain. New Genre Public Art, Bay Press (WA), 1994

Martin, Sarah - Emma Thomas (eds.): BALTIC: The Art Factory, BALTIC, Gateshead, 2002, 190 p., ill., színes

Martin, Sarah (ed.): B. Year One. BALTIC, The Centre for Contemporary Art, Gateshead July 2002-2003, BALTIC, Gateshead, 2003, 234 p., ill., színes

McDonough, Tom (ed.): Guy Debord and the Situationist International. Texts and Documents, October Books, The MIT Press, Cambridge, Massachusetts - London, England, 2002, 492 p., ill., ff

Miles, Malcolm - Tim Hall - Iain Borden (eds.): The City Cultures Reader, Urban Reader Series, Routledge, London - New York, 2004 (2000), 508 p., ill., ff

Miles, Malcolm: Art, Space and the City. Public Art and Urban Futures, Routledge, London - New York, 2004 (1997), 266 p., ill., ff

Minimal Maximal. Minimal Art and Its Influence on International Art of the 1990s, National Museum of Contemporary Art, Korea, 2002, 269 p., ill., színes

Mizumoto Posey, Sandra: Rubber Soul. Rubber Stamps and Correspondence Art, University Press of Mississippi, Jackson, 1996, 72 p., ill., színes

Morgan, Robert C.: Between Modernism and Conceptual Art, McFarland & Company, Inc., Publishers, Jefferson, North Carolina - London, 1997, 173 p., ill., ff

Morgan, Robert C.: The End of the Art World, Aesthetics Today, Allworth Press, New York, 1998, 225 p., ill., ff

New York Diary. The Collages of John Evans, New-York Historical Society, New York, 2003, 42 p., ill., színes

Newman, Michael - Jon Bird (eds.): Rewriting Conceptual Art, Reaktion Books, London, 1999, 251 p., ill., ff

Packer, Randall - Ken Jordan (eds.): Multimedia: From Wagner to Virtual Reality, W. W. Norton & Company, New York - London, 2002, 458 p., ill., ff

Paul, Christiane: Digital Art, World of Art, Thames & Hudson, London, 2003, 224 p., ill., színes és ff

Phillips, Tom: Works/Texts to 1974, Hansjörg Mayer, Stuttgart - London, 1983 (first edition1975), 284 p., ill., színes és ff

Plant, Sadie: Most Radical Gesture. The Situationist International in a Postmodern Age, Routledge, London-New York, 1997 (1992, 1995), p.223.

Polit, Pawel - Piotr Wozniakiewicz (eds.): Refleksja konceptualna w sztuce polskiej. Dswiadczenia dyskursu: 1965-1975. Conceptual Reflections in Polish Art. Experiences of Discourse: 1965-1975, Centre for Contemporary Art Ujazdowski Castle, Warsaw, 2000, 280 p., ill., ff

Prado, Gilbertto: Arte Telemática. Dos intercambios pontuais aos ambientes virtuais multiusuário, Sao Paulo, Itaú Cultural, 2003 , 128 p., ill., színes és ff

Reckitt, Helena (ed.): Art and Feminism, Themes and Movements, Phaidon Press, New York, 2001, 304 p., ill., színes

Roberts, Catsou - Lucy Steeds (eds.): Michael Snow. Almost Cover to Cover, Black Dog Publishing Limited, London - Arnolfini Gallery, Bristol, 2001, 175 p., ill., színes és ff

Robinson, Hilary (ed.): Feminism - Art - Theory. An Anthoogy 1968-2000, Blackwell Publishers Ltd, Oxford, UK - Malden, Massachusetts, 2001 (first edition 2000), 706 p.

Saper, Craig J.: Networked Art, University of Minnesota Press, Minneapolis - London, 2001, 198 p., ill., ff

Schraenen, Guy: Out of Print. An Archive as Artistic Concept, Neues Museum Weserburg, Bremen, 2001, 255 p., ill., ff

Shanken, Edward A. (ed.): Roy Ascott: Telematic Embrace. Visionary Theories of Art, Technology, and Consciousness, University of California Press, Berkeley - Los Angeles - London, 2003, 427 p., ill., ff

Sigler, Jennifer (ed.): 109 Provisional Attempts to Address Six Simple and Hard Questions About What Architects Do Today and Where Their Profession Might Go Tomorrow, Hunch, No. 6/7, The Berlage Institute, Episode Publishers, Rotterdam, 2003, 539 p., ill., színes

Sobczuk, Zbigniew - Waldemar Tatarczuk (eds.): Art Kontakt, Centrum Kultury, Lublin, 2000, 63 p., ill., ff

Spielmann, Peter (ed.): Osteuropäische Avantgarde, Museum Bochum, Bochum, 1988, 254 p., ill., színes és ff

Spoerri, Daniel: An Anecdoted Topgraphy of Chance done with the help of his very dear friend Robert Filliou and translated from the French and further anecdoted by their very dear friend Dieter Roth (translated out of the German for the first time by Malcolm Green), with 100 reflective illustrations by Topor, Atlas Press, London, 1995, 236 p., ill., ff

Sretenovic, Dejan (ed.): Video umetnost u Srbiji / Video Art in Serbia, Center for Contemporary Arts, Belgrade, 1999, 152 p., ill., ff

Sretenovic, Dejan (ed.): Video umetnost u Srbiji / Video Art in Serbia II, Center for Contemporary Arts, Belgrade, 2000, 85p., ill., ff

Stewart Home: Fasting On Spam & other non-aligned diets for our electronic age, Sabotage Editions, London, é.n., 56 p.

Stewart Home: Neoism, plagiarism & praxis, AK Press, Edinburgh & San Francisco, 1995, 208 p.

Stewart Home: Neoist Manifestos, AK Press, Stirling (Scotland), 1991, 48 p.

Stewart Home: The Art Strike Papers. The Years Without Art 1990-1993, AK Press, Stirling (Scotland), 1991, 52 p.

Stitt, André: South of no North. Works 2000-2002, Fort Sztuki, Krakow - Sirius Arts Centre, Cork - Trace, Cardiff, 2003, 102 p., ill., színes és ff

Swidzinski, Jan: Quotations on Contextual Art, Het Apollohuis, Eindhoven (Hollandia), 1989, 190p., ff

Taylor, Brandon: Avant-Garde and After. Rethinking Art Now, Prentice Hall Inc., New Jersey - Harry N. Abrams, New York, 1995, 176 p., ill., színes

Thurmann-Jajes, Anne (ed.): Ars photographica. Fotografie und Künstlerbücher, Neues Museum Weserburg, Bremen, 2002, 173 p., ill., színes

Valentyn, Heike van den: Robert Filliou - Genie ohne Talent, Hatje Cantz Verlag, Ostfildern-Ruit, 2003, 189 p., ill., színes és ff

Vergine, Lea: Body Art and Performance. The Body as Language, Skira Editore, Milano, 2000, 294 p., ill., ff

Wardrip-Fruin, Noah - Nick Montfort (eds.): The New Media Reader, The MIT Press, Cambridge, Massachusetts - London, Englamd, 2003, 823 p., ill., ff

Warpechowsky, Zbigniew (ed.): Autonomiczny ruch konceptualny w Polsce. Autonomous Conceptual Movement in Poland, Biuro Wystaw Artystycznych, Lublin, 2002, 60 p., ill., ff

Wilson, Stephen: Information Arts. Intersections of Art, Science, and Technology, The MiIT Press, Cambridge, Massachusetts - London, England, 2002, 945 p., ill., ff

Wood, Paul: Conceptual Art, Movements in Modern Art, Tate Publishing, London, 2002, 80 p., ill., színes és ff

Young, Rob (ed.): Undercurrents. The Hidden Wiring of Modern Music, Continuum, London - New York, 2002, 281 p.

Zech, Hanne (ed.): Amnesia. Die Gegenwart des Vergessens, Neues Museum Weserburg, Bremen, 2000, 171 p., ill., színes

Zippay, Lori (ed.): Artists´ Video: An International Guide, Electronic Arts Intermix, Cross River Press, A Division of Abbeville Press, New York - London - Paris, 1991, 272 p., ill., ff

Zumthor, Peter: Thinking Architecture, Lars Müller Publishers, Baden (Switzerland), 1998, 58 p., ill., ff

Köszönjük a Magyarországi Ludwig Alapítvány támogatását!

2004 | 2005 | 2006 | 2007 | 2008

2009 | 2010 | 2011 | 2012 | 2013

2014 | 2015 | 2016


[Artpool] [könyvtár] [library]