(1) How long have you been making installations?
Since 1988.
(2) Why did you choose to make installations and not anything else?
Because installation is not something else, but installation.
(3) What do you think of your own works?
If you think of installations then I have to say that they are time after time motivating - pre and post - studies of my performances. Often part of them.
(4) What do you think the difference is between your own work and other installations?
For me sacrality is initial, and I often collide it with the disgusting symbol-products of the consumer society.
(5) What do you think of the relationship of traditional artwork and installation?
After a while all artworks degrade to be traditional.
(6) What is the size and material of an installation determined by?
Nothing.
(7) Could you mention the installation you consider to be the largest and the smallest one?
A cell <-> the universe.
(8) Is there any object or idea that cannot be installed?
No, there isn't.
(9) How does environment affect the installation of the work?
Determinantly.
(10) Do you know any fact that restricts the possibilities of installation?
Money.
(11) Do you like making installation for order or at request?
Yeah, sure.
(12) What do you think of preserving an installation?
It's good, but they can be reproduced from a good description, or can be rebuilt holding a different meaning.
(13) Can the value of an installation be estimated and how?
Yes, it can. According to the spirit and fame of the artist.
(14) How does copyright apply to installations preserved only in documents?
I have no idea.
(16) Your questions, if there is any, and your answers to them.
Why the Parliament isn't made of chesnut cake?