(1) How long have you been making installations?
Ten days.
(2) Why did you choose to make installations and not anything else?
Installation is the best possibility to work in and over the space.
(3) What do you think of your own works?
It is always a way to start!
(4) What do you think the difference is between your own work and other installations?
My installation is a part of an artistic movement, because I am (movimento iperspazialista).
(5) What do you think of the relationship of traditional artwork and installation?
It is the work really free and near architecture.
(6) What is the size and material of an installation determined by?
None.
(7) Could you mention the installation you consider to be the largest and the smallest one?
Christo packages.
(8) Is there any object or idea that cannot be installed?
There is not.
(9) How does environment affect the installation of the work?
Art and nature installations live together in perfect harmony.
(10) Do you know any fact that restricts the possibilities of installation?
Only prejudices.
(11) Do you like making installation for order or at request?
I like making installations but I am happy when people order or request.
(12) What do you think of preserving an installation?
It is not necessary preserving installation: it often needs the work of time, weather and people.
(13) Can the value of an installation be estimated and how?
There is the price of materials, the value depends on the artist: has the artist market?
(14) How does copyright apply to installations preserved only in documents?
Idea must have copyright; public can use and need installation.
(16) Your questions, if there is any, and your answers to them.
Do you know movimento iperspazialista? I know and I like it because I signed the manifesto in 1996 with Giancarlo da Lio, Ettore le Donne, Antonio Paciocco, Cesare Iezzi and Giuseppe Masciarelli. It is freedom to think for artists but for scientist, too, from the planet earth to the space.