(1) How long have you been making installations?
Since 1989.
(2) Why did you choose to make installations and not anything else?
Because I want to elaborate an autonomos language.
(3) What do you think of your own works?
I’m biased in favour of German expressionism, proletarian art and futurism. “Happiness” “the meaning of the life is a happy work” - this is my work. (Job, occupation.)
(4) What do you think the difference is between your own work and other installations?
Both of them start from a project.
(5) What do you think of the relationship of traditional artwork and installation?
They are two different things... There is too much to consider and reconsider.
(6) What is the size and material of an installation determined by?
Natural elements those, belong to the environment for art work's autonomy.
(7) Could you mention the installation you consider to be the largest and the smallest one?
Emily Joe big installation “Cronic” dated 22.12.1997 Brescia, little installation “Point of View” dated 21.09.1996 by Monticelli Brusati, Brescia.
(8) Is there any object or idea that cannot be installed?
A gold ingot (100 kg) in the centre of Budapest.
(9) How does environment affect the installation of the work?
It’s indispensable for this theatrical works.
(10) Do you know any fact that restricts the possibilities of installation?
W.C. It’s very difficult to make an installation in a water-closet.
(11) Do you like making installation for order or at request?
At request by artists friends, public body, galleries, art critics.
(12) What do you think of preserving an installation?
To preserve what is not preservable.
(13) Can the value of an installation be estimated and how?
OK the price is correct: everything has a price.
(14) How does copyright apply to installations preserved only in documents?
Don’t take life too seriously.
(16) Your questions, if there is any, and your answers to them.
Happy Easter!!!