(1) How long have you been making installations?
Since 1994.
(2) Why did you choose to make installations and not anything else?
Because the word “installation” sounds nice.
(3) What do you think of your own works?
There are many of them and they are diverse.
(4) What do you think the difference is between your own work and other installations?
No difference.
(5) What do you think of the relationship of traditional artwork and installation?
Evolution of contemporary art is not a succession of ÒgenresÓ, so the opposition of the installation to the traditional artwork is incorrect.
(6) What is the size and material of an installation determined by?
By money.
(7) Could you mention the installation you consider to be the largest and the smallest one?
The smallest one we made was of the size of alarm-clock and the largest one was about 10m/10m/3m.
(8) Is there any object or idea that cannot be installed?
No.
(9) How does environment affect the installation of the work?
Directly.
(10) Do you know any fact that restricts the possibilities of installation?
A lack of money.
(11) Do you like making installation for order or at request?
Yes.
(12) What do you think of preserving an installation?
This is a very serious problem.
(13) Can the value of an installation be estimated and how?
Yes. The same way as any other artwork.
(14) How does copyright apply to installations preserved only in documents?
There should be another copyright for installations preserved in documents.