(1) How long have you been making installations?
Since 1992.
(2) Why did you choose to make installations and not anything else?
To include the space into work. That the public when they walk into it become a part of the work.
(5) What do you think of the relationship of traditional artwork and installation?
I think to make installations became a tradition already. For me installation is more exciting than other mediums, because of its totality. It speaks to all of my senses. I can walk into it, sometimes even touch, smell, hear... I will be always part of it, if I like or not.
(7) Could you mention the installation you consider to be the largest and the smallest one?
The world.
(8) Is there any object or idea that cannot be installed?
No.
(9) How does environment affect the installation of the work?
It will be a part of it.
(10) Do you know any fact that restricts the possibilities of installation?
No.
(11) Do you like making installation for order or at request?
Is possible.
(12) What do you think of preserving an installation?
I don’t think it really fits to the character of installations. For me especially the idea of limited time is very attracting.
(13) Can the value of an installation be estimated and how?
On the time you have worked on it, and on the emotional value.
(14) How does copyright apply to installations preserved only in documents?
Difficult.