ARTPOOL'S FLUXUS LIBRARY - ARTPOOL FLUXUS KÖNYVTÁR

Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 284 p., ill., b&w

including:

Barkin, Elaine: Arthur Berger's Trio for Violin, Guitar, and Piano (1972), in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 215-220.

Battcock, Gregory: Introduction: In Search of the Avant-Garde, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. IX-XV.

Boretz, Benjamin: Musical Cosmology, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 3-12.

Brandt, William: The Music of Elliott Carter, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 221-234.

Brown, Earle: Serial Music Today, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 97-101.

Cardew, Cornelius: Wiggly Lines and Wobbly Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 235-253.

Childs, Barney: Time and Music: A Composer's View, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 102-128.

Davidson, Jerry: Synthesizers and the Evolution of Electronic Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 167-173.

DeLio, Thomas: Avant-Garde Issues in Seventies Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 254-271.

Eno, Brian: Generating and Organizing Variety in the Arts, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 129-141.

Frank, Peter: Fluxus Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 13-19.

Higgins, Dick: Boredom and Danger, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 20-27.

Howe, Hubert S., Jr.: Microcomputers and Electronic Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 174-190.

Johnson, Tom: Notes on New Music: New Forms for New Music. The New Tonality. Facts Become Sounds, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 28-37.

Jones, Gaynor G. - Jay Rahn, Definitions of Popular Music: Recycled, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 38-52.

Julius, Ruth: Varèse, Edgard: An Oral History Project, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 272-283.

Knowles, Allison: Notations, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 191-198.

Kramer, Jonathan D.: Moment Form in Twentieth-Century-Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 53-70.

Paik, Nam June - Charlotte Moorman: Perform Cage, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981, 142-149.

Payton, Rodney J.: The Music of Futurism: Concerts and Polemics, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 71-89.

Philppot, Michel P.: Ear, Heart, and Brain, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 300-315.

Reich, Steve: Writings About Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 150-163.

Rufer, Josef: Schönberg - Yesterday, Today, and Tomorrow, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 316-330.

Russcol, Herbert: Music Since Hiroshima: The Electronic Age Begins, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 199-207.

Schwartz, Elliot: Electronic Music and Live Performance, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 331-338.

Syverud, Stephen: Electronic Synthesizers. A Survey, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 208-211.

Wilson, William: Operational Music, in: Battcock, Gregory (ed.): Breaking the Sound Barrier. A Critical Anthology of the New Music, E.P. Dutton, New York, 1981. 90-93.


Artpool´s Fluxus Library / Artpool fluxus könyvtár
General books, special issues or catalogs / Általános könyv, katalógus, folyóirat különszám
General articles, essays / Általános folyóiratcikkek, tanulmányok
Artists´ bibliographies / Művész-bibliográfiák
Publications about Fluxus in Hungarian / Magyar nyelvű fluxus bibliográfia