Theories and Documents of Contemporary Art

ARTPOOL'S FLUXUS LIBRARY - ARTPOOL FLUXUS KÖNYVTÁR

Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 1027 p., ill., b&w

including:

Language and Concepts, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 804-896.

Performance Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 679-804.

Abramovic, Marina - Ulay: Dialogue with Heidi Grundmann, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 758-759.

Acconci, Vito: Biography of Work (1969-81), in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 766-767.

Acconci, Vito: Steps into performance (And Out), in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 759-766.

Amirrkhanian, Charles: Interview with Laurie Anderson, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 420-424.

Andre, Carl: Preface to Stripe Painting, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 124.

Ascott, Roy: Behaviourables and Futuribles. Is There Love in the Telematic Embrace?, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 489-498.

Barents, Els: Interview with Cindy Sherman, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 792-794.

Bastian, Heiner: Cy Twombly. Comments, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 34-37.

Berés, Jerzy: Untitled Statement, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 744-746.

Bill, Max: Concrete Art. The Mathematical Approach in Contemporary Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 74-77.

Bochner, Mel: Sentences on Conceptual Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 828-829.

Brecht, George: Project in Multiple Dimensions, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 333-335.

Brus, Günther: Notes on the Action: Zerressprobe. Untitled Statements (1965-79) in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 754-755.

Burden, Chris: Untitled Statement, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 768-772.

Buren, Daniel: Beware!, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 140-149.

Cage, John: Composition as Process Part II: Indeterminacy, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 707-709.

Christo: Fact Sheet: Running Fence. Wrapping Up Germany: Interview with Sylvère Lotringer, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 547-556.

D'Agostino, Peter: Proposal for QUBE, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 456-459.

Davvetas, Démosthènes: Interview with Christian Boltanski, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 515-518.

Debord, Guy: Report on the Construction of Situtations and on the International Situationist Tendency's Conditions of Organization and Action, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 704-706.

Duchamp, Marcel: Apropos of "Readymades", in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 819-820.

Duchamp, Marcel: The Creative Act, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 818-819.

Duchamp, Marcel: The Richard Mutt Case, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 817.

Fahlström, Öyvind: Take Care of the World, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 304-306.

Filliou, Robert: Good-for-nothing-good-for-everything, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 732-736.

Filliou, Robert: Letters to Allan Kaprow, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 732-736.

Finlay, Karen: I Was Not Expected to Be Talented, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 794-798.

Flavin, Dan: Some Remarks... Excerpts from a Spleenish Journal, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 125-128.

Flynt, Henri: Concept Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 820-822.

Fuller, Peter (ed.): A Discussion with Anthony Caro, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 103-107.

Glaser, Bruce (ed.): Frank Stella and Donald Judd. Questions to Stella and Judd, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 117-124.

Hamilton, Richard: Letter to Peter and Alison Smithson, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 296-300.

Heizer, Michael - Dennis Oppenheim - Robert Smithson: Discussion, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 534-536.

Hershman, Lynn: Video 1980-Present: Videotape as Alternative Space, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 456-459.

Higgins, Dick: A Something Else Manifesto, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 730.

Higgins, Dick: Statement on Intermedia, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996,728-729.

Holt, Nancy: Sun Tunnels, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 536-540.

Johnson, Ray: What Is a Moticos?, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 356.

Judd, Donald: Specific Objects, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 114-117.

Kantor, Tadeusz: Representation Loses More and More Its Charm, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 58-59.

Kaprow, Allan: Untitled Guidelines for Happenings, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 709-714.

Kardon, Janet (ed.): Interview with Robert Mapplethorpe, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 274-280.

Kelly, Ellsworth: Notes of 1969, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 92-93.

Knizak, Milan: Aktual Univerzity: Ten Lessons, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 739-744.

Krueger, Myron W.: Responsive Environments, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 473-486.

Kubota, Shigeko: Video Poem. Notes for Three Mountains, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 443-445.

Lebel, Jean-Jacques: On the Necessity of Violation. Paris Postscript, May/June 1968, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 718-722.

Lewitt, Sol: Paragraphs on Conceptual Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 822-826.

Lewitt, Sol: Sentences on Conceptual Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 826-827.

Maciunas, George: Letter to Tomas Schmit, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 726-728.

Moisan, Jim: Border Crossing: Interview with Chris Burden, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 768-772.

Mühl, Otto and the AA Commune: Commune Manifesto, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 751-754.

Nitsch, Hermann: The O.M. Theatre. The Lamb Manifesto. in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 747-751.

Noguchi, Isamu: A Sculptor's World, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 518-522.

Oldenburg, Claes: I Am for Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 335-337.

Ono, Yoko: To the Wesleyan peple, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 736-739.

Ortiz, Raphael Monteñez: Destructivism: A Manifesto, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 722-723.

Paik, Nam June: Afterlude to the Exposition of Experimental Television. Cybernated Art. Art and Satellite, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 431-436.

Reinhardt, Ad: Twelve Rules for a New Academy. 25 Lines on Words on Art: Statement. The Black-Square Paintings, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 86-91.

Rosenbach, Ulricke: Untitled Statement. Venusdepression, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 757.

Rosler, Martha: Video: Shedding the Utopian Moment (1985-86), in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 461-473.

Ross, David (ed.): An Interview with William Wegman, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 450-456.

Roth, Dieter: Untitled Statement. I Only Extract the Sqare Root: Interview with Ingolfur Margeirsson. Offhand Design, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 301-304.

Rothenberg, Susan: Remembrance on Gordon Matta-Clark, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 557-558.

Schapiro, Miriam - Melissa Meyer: Waste Not Want Not: An Inquiry into What Woman Saved and Assembled - Femmage, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 151-154.

Schneemann, Carolee: From the Notesbooks (1962-63). Woman in the year 2000, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 714-718.

Sherman, Cindy: Untitled Statement, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 791-792.

Siegel, Jeanne: Pictures and Words. Interview with Barbara Kruger, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 376-378.

Siegel, Jeanne (ed.): Woman as Protagonist. Interview with Nancy Spero, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 244-247.

Situationist International: Definitions, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 702-703.

Smithson, Robert: The Spiral Jetty, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 530-533.

Spoerri, Daniel: Trap Pictures. Spoeri's Autotheater, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 310-311.

Stelarc: Beyond the Body: Ampliied Body, Laser Eyes, and Third Hand, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 427-430.

Stella, Frank: The Pratt Lecture, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 113-114.

Swenson, G. R. (ed.): Interview with Roy Lichenstein, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 337-339.

Sylvester, David (ed.): Content Is a Glimpse. Interview with Willem de Kooning, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 197-199.

Truitt, Anne: Daybook: The Journal of an Artist (1974-79), in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 99-103.

Valie Export: Women's Art: A Manifesto, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 755-756.

Vautier, Ben: The Happening of Ben, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 730-731.

Viola, Bill: Video Black - The Mortality of the Image, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 446-450.

Vostell, Wolf: Manifesto. dé-coll/age, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 723-725.

Wagstaff, Samuel, Jr. (ed.): Talking with Tony Smith, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 126-128.

Waldman, Diane (ed.): Kennet Noland. Color, Format, and Abstract Art, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 94-98.

Warhol, Andy: Warhol in His Own Words: Untitled Statements, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 340-346.

Yoshihara, Jiro: The Gutai Manifesto, in: Stiles, Kristine - Peter Selz (eds.): Theories and Documents of Contemporary Art. A Sourcebook of Artists' Writings, University of California Press, Berkeley - Los Angeles - London, 1996, 695-698.

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