EXHI
EXHIBITION SPACES
ACES
In Artpool’s fifth decade today lasts from the day after tomorrow to the day before yesterday.
front garden -
front cellar -
pigsty -
wood storage -
back cellar -
living room -
kitchen -
covered courtyard 2000,
2002,
2020 -
upper attic -
back garden
covered courtyard/exhibition - the integral / Fresh Widow (1920-2020)
The Fresh Widow is 100 years old (1920-2020)
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The inscription at the base:
“COPYRIGHT ROSE SELAVY 1920”, is the first time that
the name of Duchamp's female alter ego appears on one of his works.
covered courtyard/exhibition - the integral / Fresh Widow (1920-2020)
The window in the world, the window in the picture
Formulated in 1434 by Leon Battista Alberti, the notion that a painting is like an open window influenced generations of painters. At the start of the twentieth century, the window, reduced to its framework, was employed as a motif and a symbol in order to test the function of painting as a means of reproduction. To the degree that the window is empty, its painted depiction denies us a perspective of the world.
Marcel Duchamp, ‘Fresh Widow’, 1920 - covers & citations
![](kepek/kiall_FW-04.jpg)
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Courtesy Modern Art, London & Alexandre Gallery, New York
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![](kepek/kiall_FW-13.jpg)
![](kepek/kiall_FW-14.jpg)
![](kepek/kiall_FW-15.jpg)
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![](kepek/kiall_FW-20.jpg)
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thru a 5″ x 3″ screen becomes preferable to the
big everyday picture window Michael St.Mark 2016
![](kepek/kiall_FW-22.jpg)
Oil on Canvas 175,5 x 116 cm
covered courtyard/exhibition - the integral / Fresh Widow (1920-2020)
front garden -
front cellar -
pigsty -
wood storage -
back cellar -
living room -
kitchen -
covered courtyard 2000,
2002,
2020 -
upper attic -
back garden
2020➔ the integration of doubts/doubles and chance