Mieko Shiomi, "Fluxus Suite", ? Records, 10. 2002
FLUXUS SUITE • MIEKO SHIOMI
a musical DICTIONARY of 80 people around FLUXUS
To celebrate the 40th anniversary of Fluxus, I composed eighty short musical pieces for eighty Fluxus people using the following methods:
1) For each person, I used only the pitches available from the letter spelling his / her name. If an s, e+s or i+s was included in the name, b or # would be added to certain notes. For instance, Giuseppe Chiari gets eleven pitches, c, cis (c#), es (e b ), e, eis (e#), ges (g b ), g, as (a b ), a, ais (a#) and h. A few people, such as Allan Kaprow and Peter Moore have just one note, a or e, and a few groups of people have very similar or exactly the same combination of pitches. But it caused no problem, because
---
2) A different timbre was applied to each person. Some of the timbres in my synthesizer are sampled sounds or noises with complex or sliding pitches. These timbres were mainly used for the people who have a fewer number of pitches.
3) Regarding how to describe each person, I took a few different approaches. The first is a realization of one of his / her works. Secondly, I imitated some of their methods or techniques. For instance, the order of John Cage's notes was determined by chance operation. The piece for Jean Dupuy consists of musical anagrams. In the case of Yasunao Tone, his name in Chinese characters was written on the blank score and the points where the characters crossed the musical staffs corresponding to his pitches of es, e, as, a in 6 octaves were traced to form musical phrases. Or, as Emmett Williams lined up the alphabet to determine the points of pasting corresponding images and objects on a board, I lined up his pitches (es, e, eis, as, a, ais in 5 octaves) under the 26 letters of the alphabet and got a tone series by linking the 14 letters e, m, m, e, t, t, w, i, l, l, i, a, m, s to his pitches.
Thirdly, I chose key words related to their jobs, the instruments or materials they use, the fragments they contributed for my past projects, or something which seems to characterize them. For the rest of the people, I followed my personal impressions or dogmatic understandings of them.
4) Since eighty people should be included on the CD, approx. 50 seconds, on the average, was allowed for each person. At the recording, while the most of the pieces were played automatically through the computer-synthesizer unit, some I played myself on the keyboard.
( ) pitches available, " " title of the piece being realized, - key words
1. Dietrich Albrecht (c, d, e, a, b, h) ![]()
2. Eric Andersen ( c, cis, d, dis, e, eis, as, a, ais, ces) - "Opus 16" ![]()
3. Ay-O (a) - "Hallelujah, John Cage!" ![]()
4. Michael Berger (c, e, g, a, b, h) - Harlekin ![]()
5. Joseph Beuys (es, e, b, h) ![]()
6. René Block (c, e, b) ![]()
7. Luigi Bonotto (g, b) - textile ![]()
8. George Brecht (c, e, g, b, h) - "Drip Music" ![]()
9. Stanley Brouwn (es, e, as, a, b) ![]()
10. Jean Brown (e, a, b) ![]()
11. John Cage (c, e, g, a, h) - chance operation ![]()
12. Giuseppe Chiari (c, cis, es, e, eis, ges, g, gis, a, ais, h) - piano ![]()
13. Henri Chopin (c, e, h) ![]()
14. Henning Christiansen ( c, cis, es, e, eis, ges, g, gis, a, ais, h) ![]()
15. Christo (c, cis, h) ![]()
16. Francesco Conz (c, es, e, f, as, a, ces) - Verona ![]()
17. Philip Corner (c, e, h) - "Pulse" ![]()
18. Jacques Donguy (c, des, d, es, e, ges, g, as, a, ces) ![]()
19. Jean Dupuy (d, e, a) - anagram ![]()
20. Esther Ferrer (es, e, f, h) - "The stage is to be crossed" ![]()
21. Robert Filliou (e, f, b) ![]()
22. Henry Flynt (e, f, h) ![]()
23. Ken Friedman (d, e, f, a) ![]()
24. Allen Ginsberg (es, e, eis, ges, g, gis, a, b) ![]()
25. Ludwig Gosewitz (des, d, dis, e, eis, ges, g, gis) - glassbrowing ![]()
26. Al Hansen (es, e, as, a, h) - "Das Attentat" ![]()
27. Geoffrey Hendricks (c, cis, d, dis, e, f, fis, g, gis, h) ![]()
28. Jon Hendricks (c, cis, d, dis, e, eis, h) ![]()
29. Juan Hidalgo (d, g, a, h) ![]()
30. Dick Higgins (c, cis, d, dis, g, gis, h) ![]()
31. Davi Det Hompson (des, d, dis, e, eis, as, a, ais, h, his) - "Calculations" ![]()
32. Armin Hundrtmark (d, e, a, h) - Cologne ![]()
33. Alice Hutchins (c, cis, es, e, eis, as, a, ais, h) - magnet ![]()
34. Joe Jones (es, e) - mechanical guitar ![]()
35. Allan Kaprow (a) - happening ![]()
36. Bengt af Klintberg (e, f, g, a, b) - "Canto 2" ![]()
37. Milan Knizak (a) ![]()
38. Alison Knowles ( es, e, eis, as, a, ais) - "Mantra for Jessie" ![]()
39. Arthur Koepcke (c, e, a, h) - "Fill with own imagination" ![]()
40. Takehisa Kosugi (es, e, eis, ges, g, gis, a, ais, h, his) - live electronic music ![]()
41. Shigeko Kubota (es, e, eis, ges, g, gis, a, ais, h, his) - video sculpture ![]()
42. Vytautas Landsbergis (des, d, dis, e, eis, ges, g, gis, a, b) - dignity ![]()
43. Jean Jacques Lebel (c, es, e, as, a, b, ces) ![]()
44. George Maciunas (cis, cis, es, e, eis, ges, g, gis, a, ais, ces)
(A) - "In Memoriam to Adrino Olivetti" (B) - fanatic ![]()
45. Jackson MacLow (c, as, a) - asymmetry ![]()
46. Gino Di Maggio (d, g, a) ![]()
47. Walter Marchetti (c, e, a, h) - falling stones ![]()
48. Jonas Mekas (es, e, as, a) - film archives ![]()
49. Larry Miller (e, a) - duality ![]()
50. Barbara Moore (e, a, b) - Bound & Unbound ![]()
51. Peter Moore (e) - shutter ![]()
52. Charlotte Moorman (c, e, a, h) - cello ![]()
53. Hermann Nitsch (c, cis, es, e, eis, as, a, ais, h) - organ ![]()
54. Serge Oldenbourg (des, d, es, e, ges, g, b) ![]()
55. Pauline Oliveros (es, e, eis, as, a, ais) - deep listening ![]()
56. Yoko Ono (none = silence) ![]()
57. Nam June Paik (e, a) ![]()
58. Ben Patterson (es, e, as, a, b) - contrabass ![]()
59. Willem de Ridder (d, e) - "Walkman Piece" ![]()
60. Dieter Roth (d, e, h) ![]()
61. Harry Ruhé (e, a, h) ![]()
62. Gerhard Rühm (d, e, g, a, h) - "Lied ohne Worte" ![]()
63. Takako Saito (as, a, ais) - game ![]()
64. Gianni Sassi (g, gis, a, ais) - palindrome ![]()
65. Tomas Schmit (c, cis, as, a, ais, h) - "Sanitas No. 152" ![]()
66. Carolee Schneemann (c, es, e, as, a, h) ![]()
67. Mieko Shiomi (es, e, eis, h, his) - "Water Music" ![]()
68. Gilbert Silverman (es, e, eis, ges, g, gis, a, b) - collection ![]()
69. Gianni-Emilio Simonetti (es, e, eis, ges, g, gis, a, ais) - mosaic ![]()
70. Hanns Sohm (as, a, h) ![]()
71. Daniel Spoerri (des, d, dis, e, eis, as, a, ais) - dance ![]()
72. Yasunao Tone (es, e, as, a) - Chinese character ![]()
73. Tót Endre (d, e) - "Zehn Zeichnungen aus der Reihe" ![]()
74. Ben Vautier (e, a, b) - "shoot at art" ![]()
75. Wolf Vostell (es, e, f) - decollage ![]()
76. Yoshimasa Wada (d, dis, a, ais, h, his) - sound installation ![]()
77. Robert Watts (es, e, as, a, b) - post stamp ![]()
78. Emmett Williams (es, e, eis, as, a, ais) - alphabet ![]()
79. La Monte Young (e, g, a) - drone ![]()
80. Marian Zazeela (e, a) - light work ![]()
© Mieko Shiomi April, 2002
sound of the acoustic space-installation
2006 | threes | flux(art)world | telematic | artpool | search