Organizer(s): Andreae, Christopher
Location: in: Christian Science Monitor
Date: July 14, 1969
Number of participants:
Document(s): Article
Source(s) of the listed documents: Ray Johnson Estate
Available for research at Artpool:
Organizer(s): New York Graphic Workshop (NYGW) (Luis Camnitzer – Liliana Porter – José Guillermo Castillo)
Location: Centro de Artes Visuales of the Instituto Torcuato Di Tella, Buenos Aires, Argentina
Date: 5–14 September, 1969
Number of participants:
Source(s) of the listed documents: Caiana, ICAA
Available for research at Artpool:
Bibliography: Gilbert, Zanna: Genealogical Diversions: Experimental Poetry Networks, Mail Art and Conceptualisms, in: CAIANA No. 4, 2014, caiana.caia.org.ar
Vigo, Edgardo Antonio: Exp. 69 – I / Di Tella, Ritmo, La Plata, Argentina, No. 4, July, 1969
"According to Clemente Padín, mail art definitively entered the Latin American art scene with the 1969 collective exhibition Experiencias 69, when Liliana Porter and Luis Camnitzer used mail strategies in their works for the exhibition." Gilbert: op. cit.
Organizer(s): Vautier, Ben
Location:
Date: 1–15 June, 1969
Number of participants:
Document(s): Catalog
Source(s) of the listed documents: Artpool
Available for research at Artpool: Catalog
Organizer(s): Jonhson, Ray - Richard Feigen
Location: 7th Annual New York Avant Garde Festival, New York, USA
Date: 28 September–4 October, 1969
Number of participants:
Document(s): Video, Collage, Photo
Source(s) of the listed documents: Artpool, Ray Johnson Estate
Available for research at Artpool: Photo
"In 1969, Ray Johnson was invited to participate in the 7th Annual Avant Garde Festival on Ward’s Island. For his contribution, he decided to rent a helicopter and drop 60 foot-long hot dogs onto the unsuspecting lawns and houses below. This performance related to a series of drawings he was then doing: traces of people’s feet. Johnson was later surprised to learn that many people ate the hot dogs, thinking they were food, not parts of an artistic performance.” Ray Johnson Estate
Author(s)/Editor(s): Padín, Clémente
Publisher: Clemente Padín, Montevideo, Uruguay
Date: 1969–1972
Number of participants:
Document(s): Nos. 1–10
Source(s) of the listed documents: Artpool, Fondazione Bonotto
Available for research at Artpool: Nos. 3, 4, 7
