K53/szoborablak 
hangtáj
Tom Johnson - An Hour for Piano (1971) (1:00:04)
Morton Feldman - Triadic Memories (1981) for piano (1:00:20)
“Triadic Memories is jointly dedicated to Aki Takahashi and Roger Woodward. After the first German performance, Morton Feldman laconically described it as the ‘biggest butterfly in captivity’, and it is indeed vast, lasting over an hour and a half. During the eighties, Feldman's pieces began to escalate in length – compared to the 5-hour String Quartet No. 2 or the 4-hour For Philip Guston, Triadic Memories is almost aphoristic. Why these enormous lengths? Feldman says: "Personally, l think the reason the pieces are so long is that form, as I understand it, no longer exists... I'm not looking so much for a new form, I’d rather substitute the word scale or proportion, and in music it's very difficult to distinguish between a thing's proportions and its form...My pieces aren't too long, most pieces are actually too short...lf one listens to my pieces, they seem to fit into the temporal landscape I provide. Would you say that the Odyssey is too long?”
Patterns in a Chromatic Field: Part 3 (1981) (22:11)
Patterns in a Chromatic Field: Part 4 (1981) (25:09)
Patterns in a Chromatic Field: Part 1 (1981) (28:04)
Patterns in a Chromatic Field: Part 2 (1981) (29:54)
"Emulation" Five short pieces for the piano by Mehmet Okonsar. (1991) (10:31)
Philippe Manoury, La ville, first piano sonata (2001-2) (36:24)
Vicky Chow performs Steve Reich - Piano Counterpoint (2011) (19:53)
Ryuichi Sakamoto Full Album 2021 (1:21:13)
Fodor Ákos haikui 2001
hangtájFranca Sacchi - Danza, mia cara
[1971, early electronic, experimental, musique concrète] (28:32)
Fotó-, szöveg-, esemény- és dokumentum-alapú munkák és direkt dokumentumok 1971-ből: Attalai Gábor, Altorjai Sándor, Bak Imre, Baksa-Soós János, Erdély Miklós, Galántai György, Gulyás Gyula, Hencze Tamás, Major János, Pauer Gyula, Petrigalla Pál, Szentjóby Tamás, Tót Endre, Ungváry Rudolf. Sajtódokumentumok: Somogyi Néplap, Magyar Hírlap, 1971.
